veins in the scrotum draining the testicles

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MOSTLY IN MONSOON WEATHER

Mostly in monsoon weather
I can’t remember
If it was you or another

The air was thick
The hours were slow
So we went out of hiding

We scanned the sky
And only found smudged watercolor
Just another rumor of rain

I held your hand
But even love felt clammy
Under the weather

The canals choked
The sidewalks sulked
Simply no shelter from rain

Was it you then
Held my hand
In the dusk, in the swelter

The clouds parted
The moon came out
Just another omen of rain

—Marne L. Kilates

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Ideally, I'd like to meet the man of my dreams in the library.

During my idle times there, I frequently fantasize about it.

Perhaps I take out a book and behind the shelf, there he is, asking me out (a la Romantic Comedy Movie).

Perhaps he needs to sit down beside me because I am beside the only unoccupied electric socket and we begin talking about the nuances of postmodern literature.

Perhaps he asks me where the Pynchon section is.

Perhaps I am typing and behind me comes a voice: you spelled that wrong.

That place is magic. Real magic. And I always hope that it activates its magic for me one day, even just once.

(via velvetrobots)

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talula:

Self promotion.

TETHER - SUPERNATURAL

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“Nothing, truly?” The Genie was doubtful.

“You don’t understand,” Kate said. “I’ve my books, my bookstore, and Adam and his guitar. I think anything else would seem excessive.” She thought for a moment. “On second thought, could you move that mountain for me? Adam likes sunsets. We don’t get them from here -”

“Done.”

And the ground shifted.

(via ratmanprimate)

permalink The Adventures of Priscilla, Queen of the Desert (1994)

The Adventures of Priscilla, Queen of the Desert (1994)

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ANTHURIUM GIRL

You never knew why your mother loved them so;
having grown up in a house that always had them,
you never figured out what it was she saw
in these strange flowers, hiding in the precious shade.

If you had asked her, perhaps she would have spoken
in the way the two of you talk, of this flower’s resilience,
how you take it for granted because it lasts longer
than any auxiliary anxiety or inborn immolation.

Perhaps she would tell you about how she fancies
its shape, how its flower is a heart impaled,
how the hurt you fear most comes from exactly
where, when, and from whom you least expect it.

Perhaps, just maybe, you would then take
the opportunity to tell her about that someone
you could not have, whose shape and syntax
continues to elude you even now.

Perhaps you will tell her about truths too sharp
to hold or release, breaths too heavy to reclaim,
poetry books grown too heavy with dust to open
or move, lost last chances at little redemptions.

Perhaps there are no answers for all your questions,
and perhaps she knows it. Sometimes not even
the most sacred of words can save you.
Not even your own.

Perhaps the answers lie in the same secret
places you like to frequent, that unseen
space between books on a shelf, or in
the pauses between a friend’s invisible sighs.

They lie in the cool, dark corners you grow in,
the places which only you really know.

—Ruel S. De Vera

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“If You Forget Me” by Pablo Neruda, recited by Madonna

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“Ode to a Beautiful Nude” by Pablo Neruda, recited by Rufus Sewell

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